  sillzez Sunkissed Shelly Premium join:2002-06-21 Schwenksville, PA
1 edit | [Help] Need to take photos of bike parts for customer...
 Canon EOS DIGITAL REBEL 27mm 1/60th F4 ISO400
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OK I need to take some nice pictures of some streetbike parts which are as small as gears, to as large as maybe swingarms. Parts are machined aluminum, with a high polish(so basically chrome, really reflective) and some will have engravings on them of the bike model. Will be used on website and in brochures/catalogs.
Will want parts to look nice on a white or a black background. Obviously maybe a straight on, a 3/4 view to view the thickness, and a closeup to view the engraved portion. Ive attached a picture of the first shipment in their packaging (im allowed to take take them out of that)
Anyone have any input on anything? What type of lighting? Where? I only have a 300D (kit lens), sigma 70-300, a walmart tripod, a remote, and some assorted filters lol nothing fancy. I can rig up some sort of white box probably for the small parts. I'm not looking to spend any $ to do this. I am a designer by day so i can pretty much correct any color problems or reflections but I'd like to be able to minimize that in the first place by using the right technique/camera settings. As you can also see from the fast picture, some of them look black, some of them look white. I need these to look shiny silver like they are--so any tips on acheiving that (like should they be placed on a slanted surface? lol i dunno)
Thanks  -- GraphicDisorder - My pBase |
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  HFB1217 The Wizard Premium,ExMod 2000-01 join:2000-06-26 Camelot clubs:  
1 edit | I could be wrong but a diffused light source would cut the glare. Something like a layer or two of a gauze like material as a filter for the ligting would make it softer. As would multiple light sources. -- ****aka The WIZARD **** A Founding member Seti BBR Team Starfire**** |
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  WaxPhoto I AM SAM Premium join:2004-04-08 Roanoke, IN
| reply to sillzez stev32k Is probably the go-to guy on this one... His experience with coins should come in handy.
My advice: If you want the engravings to be legible, have the (diffused)light coming from only one side, at a low angle (30 degrees off surface the parts are on) and pointing diagonally.
You might also want to experiment with light painting... long exposure, a flashlight(paper towel over it so its diffused), and several different angles. Experiment a bit... take your time.
Black velvet would probably be best for the background. Specular highlights can always be cleaned up with cloning/healing tools. -- My Photography Blog | My Flickr Gallery - Socos | BBR Flickr Group |
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  HFB1217 The Wizard Premium,ExMod 2000-01 join:2000-06-26 Camelot clubs:  
1 edit | reply to sillzez To high lite markings and lettering use a black crayon to fill the groves them wipe the excess off it will bring out a higher contrast for the labeling. -- ****aka The WIZARD **** A Founding member Seti BBR Team Starfire**** |
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  tmpchaos Requiescat in pace Premium,Mod join:2000-04-28 Hoboken, NJ clubs:   
Host: All Things Macintosh Team RC5 Digital Imaging Digital Imaging Te..
| reply to sillzez To show a true 'mirror finish' requires a light source near the lens (as you can see from your sample pic- where the items are near the lens axis, they're 'silver', while when away, they're dark). Of course, that's for the overhead shot. For the 3/4 shot, the light would need to be 'behind' the objects, so it reflects into the lens. In both cases, you'd want a large, diffuse light source, to avoid hot spots. -- Bush implies I'm a traitor. I'm proud of that.
***ATMFAQ***DIFAQ***Kitchen Sink*** |
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  sillzez Sunkissed Shelly Premium join:2002-06-21 Schwenksville, PA | reply to sillzez thx guys! |
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  AzzKicker Premium join:2001-02-04 Edinburg, TX clubs: | reply to sillzez Build a small light box. And don't use flash on the camera. |
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