Technical > Digital Imaging > DSLR 30-Day Project - Elements of Design

To make it interesting and to improve the "artistic" side of the hobby, rather than the technical, I was thinking of using a reference, like this to pick a 7-day (or 5-day) schedule each week. For example: Monday would be "Line", Tuesday, "Texture", etc.

I'd love to get a few participants. I don't care if you're shooting a camera phone, your brand new entry-level DSLR with 18-55mm kit lens, a full-frame 5DMk2 or a $42,000 Hasselblad H4D-60. Just a camera!

Of the six elements of design--line, shape, form, texture, pattern, and color--which is the strongest? Line! Without line there can be no shape, without shape there can be no form, without shape and form there can be no texture. And, without line or shape, there can be no pattern.

A line can be long or short, thick or thin. It can lead you away or move you forward. It can be felt as restful, rigid, active, soothing, or threatening.

A line represents a "path" between two points. A line can be straight, curved, vertical, horizontal, diagonal, or zigzag. Lines imply motion and suggest direction or orientation. A line can also be implied, that is filled in by the mind when several points are positioned geometrically within a frame. Placing four dots on a page in the shape of a square can imply the points are linked as the mind searches for recognizable patterns. The direction and orientation of a line can also imply certain feelings. Horizontal lines imply tranquility and rest, whereas vertical lines imply power and strength. Oblique lines imply movement, action and change. Curved lines or S shaped lines imply quiet, calm and sensual feelings. Lines that converge imply depth, scale and distance - a fence or roadway converges into the distance provides the illusion that a flat two-dimensional image has three-dimensional depth. A line is an effective element of design because it can lead the viewer's eye. To create more effective photographs actively look for lines and arrange them within your viewfinder to invoke specific feelings.

Texture refers to the surface quality or "feel" of an object - smooth, rough, soft, etc. Textures may be actual (felt with touch - tactile) or implied (suggested by the way an artist has created the work of art -visual). Texture is often emphasized in oblique lighting as it strikes the objects from one side.